News

Windows 8 Preview

I have installed the public beta version of Windows 8 onto my main machine as a boot option in order to assess its suitability for my imaging clients.

First impressions are not good, the touch interface may work well on a tablet but as the default for a standard PC + monitor its hopeless.

The rest looks to be Windows 7 with some changes to the interface. It took me 5 minutes trying to find out how to restart the machine since all the usual desktop controls are not there any more and Microsoft are not giving the user any clues.

Clearly Microsoft wants Windows 8 to be hip but it ends up looking like an old fool, I just hope they can drag this one back from the edge as it currently looks like a slow motion car crash.

If your planning a system upgrade in the next 12 months then specify Windows 7 (preferably 64bit – give me a call if you have any queries.)

I will persevere with Windows 8 to check out Photoshop/Lightroom/Wacom/Xrite  interoperability but I’m not looking forward to it.

Stephen

Canon 5D MKIII a bit of a disapointment

The  extra 1mp resolution is not going to be visible, (its a 22mp camera).
http://www.dpreview.com/news/2012/03/02/Canon-5D-Mark-III

Improvements to focusing etc are welcome and it will no doubt be a slightly better camera than the Mark II but it wont be significantly better. If you have lots of Canon lenses then its an option, if you can start from scratch then Nikon are where things are at these days.

Update: Canon are pricing the camera at £3,000 in the UK some £600 more expensive than the new Nikon D800 with its leading edge 36mp sensor. Even without the sales tax the camera is still far more expensive than in the US market.

Canon have also release a wifi transmitter for the camera at £790, yes, £790 for a box of electronics that cost at most $40 to produce, clearly Canon are not planning on selling too much kit in the UK from now on.

Nikon ups the ante with 36MP Dslr

Exciting times in Nikon land with a new record for 35mm Dslr resolution of 36MP.

The Nikon D800 has a maximum resolution of 7360 x 4912 pixels meaning an uncompressed 8 bit tiff size of over 103mb!

Read about it here:
http://www.dpreview.com/previews/nikond800/page2.asp

Link to sample images: http://imaging.nikon.com/lineup/dslr/d800/sample01.htm

Image quality looks to be somewhere between current best 35mm Dslr and Medium Format digital, so not quite Hasselblad quality but not that far off and a lot cheaper/easier to use.

Some samples with a wide angle zoom show that the limiting factor is the lens resolution itself.
Perhaps this has occurred to Canon who may bring something out to match it, they have started to revise their lens designs to improve performance: http://www.dpreview.com/news/2012/02/07/Canon_24-70mm_F2p8_II_24mm_f2p8_IS_28mm_f2p8_IS

Clearly Nikon are on the front foot with this especially at the price point of £2,400 for the version with an anti alias filter, (for some reason the one without the filter is more expensive)

Compared to 21MP cameras like the Canon 1ds MKIII these files will require an extra 70% more disk space for raws and master tiff files. Working with the 103mb file is interesting, it takes quite a few stokes with a wacom pen to move around the canvas even on a very high res 30″ Eizo screen, its like going back to 8MP images on an old 1024×768 screen.

Interesting, what do you think Canon?

Client Story: Doug Allan

The cameraman Doug Allan is a well known name in the world of wildlife documentaries and I help Doug with the stills side of his business.
Doug asked me to get involved in the preparation of the images for his first book “Freeze Frame” that is just about to be released.
Some of the images date back to the early part of his career so care was needed to reduce grain and get the images looking as fresh as the day they were taken, CMYK files were prepared for the books designer Simon Bishop.

Simon has just let me know that the printing at Butler Tanner and Dennis in Somerset went well and he is very pleased with the results of the two days of printing on the new Heidelberg press there.

Copyrightimage Ltd will also be handling book distribution so Jennie will be sorting on-line orders for the book.

Book details:
“Multi-award winning wildlife photographer and cameraman Doug Allan, of the BBC’s Frozen Planet now turns the focus on himself in his first book “Freeze Frame”!

Having worked on Blue Planet, Planet Earth, Human Planet, Life, the recent Ocean Giants and the sensational Frozen Planet, Doug brings together a collection of astounding anecdotes and breathtakingly beautiful photographs from the remotest places on Earth.

Have you ever been watching one of the BBC’s groundbreaking wildlife documentaries and thought “How did he get that shot?!” – well now you can find out the incredible stories behind the images in Doug Allan’s début book.

Braving the elements and depths of the Antarctic and Arctic Oceans, Doug has produced a fascinating 240 page book filled with exceptional photographs and secrets of life behind the lens, giving you a peek into the often hostile yet inspiring world of a wildlife cameraman

This book is so much more than a collection of superb images. Doug started life as a research diver in 1976 at Signy Island, Antarctica. Now with 35 years of experience in the Antarctic and Arctic, the stories that accompany every picture in this book tell of Doug’s astonishing adventures and encounters, his insights and emotions, his deep understanding of the biology of the animals and the psychology of film-makers.

Following a foreword from friend, Sir David Attenborough, the book is split into six sections; with many stories from Doug’s unique polar experiences and Arctic field craft, highlighting the challenges – and frustrations – of filming the animals themselves.

The book contains 70 long and short stories under the following themes:
• Camerawork
• Polar Heavens
• Ice & Snow, Cold and Colder
• Shots to Remember
• Near Misses
• Characters I Have Known
• Turning Up the Heat

From being pulled under water by a walrus, to the cunning and predatory Orca whale’s hunting skills. Doug invites you to learn about and discover the awe-inspiring nature hidden within the polar wastelands. Often exciting, sometimes humorous and always revealing and refreshingly honest, this is a uniquely personal portrait of the polar environments and the animals that live there, written by the man who’s spent more time there with a camera than anyone else.

“Every picture tells a story. I’ve just given the ones in this book a chance to tell theirs.”
– Doug Allan

Doug has won four Emmy and four BAFTA awards, as well as several Wildscreen Pandas. With Freeze Frame Doug gives the public a chance to step into his frozen world – without the frostbite!

Freeze Frame will be available from February 2012 pre-order here or at www.dougallan.com

You can pre-order Doug Allan’s new book “Freeze Frame” in hardback here (for buyers in the UK):
£25 + £6 P&P

Orders taken now, deliveries start early February 2012
Pay with either a credit card or your PayPal account.
Your credit card will be debited by “TartanDragon” Ltd”.
Buy now to ensure a copy of the first edition.

Getty upload site tip

Quick tip if you upload images to the Getty site-
I’m uploading clients images to the Getty upload portal, and as usual its like wading through treacle.
Multiple text fields with only a selection needed to be filled in and an irregular acceptance of text in each field means lots of extra work to get the data to stick.

The solution – Use the tab key starting at the top field, just tab through the fields you don’t need to fill in, the data sticks each time doh!

Backup Compact Camera (updated)

I know several clients who use Canon G10/11/12 cameras as a lightweight addition to their dSLRs. Very handy for capturing pictures adhoc when taking the usual kit out would be a pain or draw unwanted attention.

It has been possible to get the best of these images through Getty quality control but a lot of the time image quality can be an issue.

Canon have announced a possible solution. Its a little larger than the older G series (only a bit), but the sensor inside is 6x bigger. This will mean less noise on the 14MP sensor. Its on pre order at the moment and will cost approx £700 inc VAT.

DP have a review here

No sample images as yet but if your about to buy a G12 you may want to wait and see.

Update
Things are looking good, early pre production sample images are available here:
http://www.dpreview.com/galleries/reviewsamples/albums/canon-powershot-g1-x-preview-samples

Not quite Canon 1Ds MkIII / 5D MkII quality but pretty impressive for a small 14mp compact, particularly at high iso. Nice.

The HD video samples look very fragile with quite bad moire, lets hope this improves on the production model,  less important than the stills quality though…

Lightroom 4 Public Beta

Looks like Lightroom 4 will be a worthwhile upgrade when it appears later this year.

You can preview the new functionality yourself by downloading the beta from Adobe.

For me the biggest changes are the new develop settings layout, soft proofing for your different printer profiles and the map function will become of interest when more cameras contain gps circuitry.

On a more “Ed Reardon” note Adobe have “kindly encouraged their programmers to get their fingers out” and burning images to DVD is now supported in the 64bit version of Windows 7, something they should fix in Lightroom 3 but have not.

UK upgrade price will no doubt be the same price as the US plus a special supplement to pay for a new Adobe executive aircraft.

Ed

Adobe create problems for their users

It has been brought to my attention that there are some problems with creating ePUB documents with Adobe Indesign 5.0.

Apparently Adobe have fixed the problems but rather than allow users to receive an update they are telling them to upgrade to 5.5 to get the fix.

Is that a fair thing to do? Im sure there are people who happily pay for new products when the ones they have are faulty but it doesn’t seem right to me.

More to come
Adobe also plans to radically change  the system where users of their software could upgrade to the latest version of the program for an upgrade fee. In the past you would have paid something like £160 ($248.00 US) for an upgrade from say Photoshop CS2 to CS5. Now the planned upgrade version to CS6 is only available if you own the previous release meaning that if you have missed out on the upgrade to CS5 but wanted to upgrade your CS4 ,3 or 2 to CS6 you will need to pay the full price of the program again.

This will mean that someone moving to Photoshop CS6 will have to pay the same as someone who hasn’t paid Adobe in the past. Currently Photoshop CS5 sells on the Adobe store for £548 excluding sales tax (VAT) – that is $851 US.

Clients who are not VAT registered will need to pay £657 or its equivalent for the upgrade (that’s over $1,000.00 US) when moving to Photoshop CS6 and assuming the price remains the same as current.

Adobe have offered a time limited plan for users of CS2,3,4 to upgrade to CS5 at 20% less  then pay the separate upgrade to CS6 when it comes out, very generous of them to offer this?

Clearly we are in an unhealthy situation where Adobe are feeling strong enough to milk their customers. Once dominant companies such as Quark have in the past also gone through such a stage.

In a competitive market this does not happen, market failure is causing Adobe to move to a place it should not be. In the future we need to be cautious with dealing with this ugly aspect of the company, this means expecting the software to function as specified, if we are to pay (much) more then we need to demand more.

Here is the statement from a serious user of Adobe software who was kind enough to write to me detailing her story:

I was using InDesign CS5 to create an ePub of my new book, The Global Indie Author: How anyone can self-publish in the U.S. and worldwide markets. (I am both a writer and a photographer.) The export to ePub utility in CS5 is full of bugs that are program-specific, meaning they are not the result of unforeseen issues with your OS or in conflict with another program. It was clear InDesign CS5 had been released prematurely: there was no way the programmers didn’t know about these bugs. To add insult to injury, Adobe didn’t release any patches; they simply “fixed” the problems for CS5.5 and told consumers to upgrade. It was outrageous. The analogy I made was to a car with a manufacturing defect: the company is forced by law to perform a recall; they can’t just say, “Oh, we fixed that problem in the next model; just go buy a new car.” Yet this was precisely what Adobe was doing. So I complained both publicly and directly to Adobe and they offered me a free upgrade to CS5.5. I have no illusions it was to neutralize the threat I posed, and fair enough. But I hope others will realise that Adobe is not so big that they are impervious to consumer ill-will.
Michelle Demers