WannaCry Ransomware

I don’t know of any clients still running Windows XP but there may be some who don’t automatically apply Windows updates when they become available.

If you employ IT support for your site then get in touch with your IT team and check that they have your system supported against wannacry.

If you do not have external IT support, manage things yourself and have not applied security patches recently then I suggest you reconsider and run automatic update and accept any new security patches, if you are not sure how you can learn how to do this here:

Windows 7 users:
http://www.wikihow.com/Run-Windows-Update-in-Windows-7

Windows 10 users:
http://www.thewindowsclub.com/windows-update-security-settings-windows-10

Mac users can take the opportunity to feel a little smug but do be aware that its unlikely that the NSA is just looking for Windows exploits, the next NSA leak may be a Mac vulnerability:
https://www.nsa.gov/news-features/news-stories/2015/discovering-solving-sharing-it-solutions.shtml

 

 


Workshops

I am once again visiting clients and running dedicated 1:1 workshops with them.

If you think your photographic workflow would benefit from my experience and wish to work much quicker and to a higher standard then please get in touch and we can sort something out that suits you.

Dont be shy, there are no silly questions in imaging workflow, I help build confidence in people so they can work quicker and get more from their photography.

stephen@copyrightimage.co.uk


Colour Management Overview

The purpose of Colour management is to ensure predictable colour across image capture, retouching and distribution (screen, print, repro etc).

Colour management is a process that depends on a series of individual steps being done correctly across all devices and processes. Colour management only works as it should when each of these steps are done correctly.

An important keystone to colour management is a good quality screen calibration device, buying one and using it correctly will be a good start on the road to learning colour management.

Colour management is not fixed to any one standard, for instance the common photography monitor target of 6500K will not show a good colour preview for repro as the whitepoint is incorrect for the yellowish/redish paper stock used, this needs a setting of nearer 5000K.

Understanding the subtlety of colour management is a journey.

All items on the colour management page here on Copyrightimage are part of the chain, room lighting, materials, software settings and devices all play their part…


Clive Nichols Pettifers Masterclass 19th September 2017

pettifersTuesday 19th September 2017
Pettifers, Lower Wardington, Banbury
10am to 4pm

Clive is pleased to announce that he has secured two workshops at one of the country’s leading gardens, Pettifers, in the lovely Oxfordshire village of Wardington. Owned by renowned plants woman Gina Price, this idyllic English garden is crammed full of choice plants.

The day will begin with a talk on garden and flower photography by Clive. After a break for lunch with wine and refreshments, the day will continue with practical sessions in the garden. Clive is a very experienced teacher who will guide you through the techniques that have made him into one of the world’s leading flower and garden photographers. All levels of knowledge & experience are welcome.

Tickets cost £100 (non-refundable)
Maximum capacity 20 places

Click on the book now button below to book a place or places on the September Masterclass
(Don’t worry if don’t have a Paypal account you can select “Checkout as Guest” and pay by card)





Video capture breakdown, current state of the market 2016

Tom Fletcher and Gary Adcock have compiled a PDF breakdown of current state of the art video cameras across multiple brands and containing lots of useful information. You can download the PDF here:

https://drive.google.com/file/d/0B8uBU7GdVMLMU2FJczdERE9uYUk/view?usp=sharing

Read more


Client Advisory – Photoshop CC 2017 update

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Adobe have released the 2017 versions of Bridge and Photoshop. Looks to be a mixture of interface changes, performance enhancements and extended functionality.

Initial impressions are good and I will be giving it test drives over the next few days.

With important customer jobs in progress I have of course kept my current versions of Bridge and Photoshop installed so I can run both. This is also important as only some of my third party filters have been transferred across with the install.

If you would like to test the new version as well then consider doing the same and run the install so that it doesn’t write over your current setup, to do this click on Advanced Options in the update dialogue and untick Remove old Versions (Keep Import previous settings and preferences ticked)

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Copyrightimage helps out with Planet Earth II for the BBC

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Very much looking forward to seeing Planet Earth II with Sir David Attenborough starting next Sunday on BBC1 in the UK. The first episode is titled Islands.

My involvement in the project was to retouch and colour grade the stills and 4k+ video grabs for The Book that accompanies the series. Thanks goes to the Editor Kate Fox and the Project Editor Roz Kidman Cox for asking me to do the work.

Television shows images in RGB and has a high brightness and contrast range, paper in comparison has a very low colour and tone range that starts off with a creamy white for the highlights and then makes up the rest of the colour and tone by darkening the paper with Cyan, Magenta, Yellow and Black process inks.

The challenge is to retain all important highlight and shadow detail but keep a good dynamic contrast and colour in the mid tones and overall, this does mean quite an involved grading process using multiple layers and adjustments to get this right. (I discussed this split grading in my recent workshop).

Read more


Client Story:MINT Images, Liesel Böckl

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Liesel has been working on a series of projects over the Summer in Japan and I was pleased to be asked to retouch from the raw files via her agency MINT Images. Each project is a sensitive and authentic visual short story of the workplaces she visited and together they tell a larger story of Kodawari. Liesels website is currently being redone but you can follow her projects here on facebook


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