Workshops at Chester Zoo

July update: Read my Chester Zoo interview here

Im very pleased to announce that I will be one of three teachers in a couple of two day workshop at Chester Zoo in September 2017 along with the Arctic photographer Sue Flood and the Travel photographer and metadata specialist Cindy Miller Hopkins.

The advanced photography course is aimed to improve the skills and techniques of photographers who feel they are ready to take the next step up in their photography. You have a choice of dates with each Workshop taking place over two days and are split half a day to each of us when there will be a maximum of 15 people in each class, plus a half day combined workshop. The September 23rd to 24th course is £295 and includes entry to the zoo on the 25th to practice your new found skills, The 30th September to 1st October course is also £295 and includes entry to the zoo on the 2nd October.

My half day session will be a distillation of the efficient imaging workflow required to meet the quality requirements expected of a professional and will cover selecting, processing, retouching, managing a collection of images and delivering files to market.

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Out of hours emergency retouching and imaging service


Don't spoil a book, campaign or web launch with sub par but correctable images: Help is at hand...

Always happy to help out in a tight corner: Recently I was able to assist a US based customer rescue an important publication commitment in an "Out of hours" situation.

With the availability of fast internet access here in Sheringham, Norfolk  UK and working up to 11 hours before or after your local time (Check here: https://www.timeanddate.com/worldclock/uk) I can rescue, smooth the way, improve or solve last minute image problems for your important publications, whether its for web, print or any other uses.

I will work in UK day time to ensure that your deadlines are met even when your local imaging service or retoucher is asleep.

You may be in the USA, Japan, Australia or any other Country in the world. If your local retoucher is not available and you are in a tight corner because a problem image or images have surfaced then check my local time and get in touch with me.

Email stephen@copyrightimage.co.uk at anytime with details of your problem, a download link to the high res or other image assets and I will get back to you asap with a plan and a cost. If I cannot help I will let you know, if I can help then I will work in your best interests to get your time critical campaign or publication back on track.

Copyrightimage is an "International Rescue" for image related problems, we work to the highest imaging standards in a fully colour managed and quality orientated retouching and image workflow service.

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Getting View: Print Size to work properly in Photoshop

 

I love using “Print Size” in the Photoshop “View” menu as it allows me to see how big the image will print in the physical (real) world.

The chances are that if you try this with an image in your Photoshop the result will be incorrect (for instance a 10″ image may be nearer 7″ on screen). The reason for this is that by default Photoshop assumes you are using an early Apple monitor that has a resolution of 72dpi. In actual fact most modern monitors display many more dots per inch (pixels per inch) hence making the print preview too small. To make an accurate sized print preview you need to enter the actual dpi for your particular monitor.

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Welcome generosity

B0003753 Crystals of a DNA repair protein bound to DNA
Credit: Bernard O’Hara & Renos Savva. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
Growing crystals of a DNA repair protein bound to
DNA. This particular repair protein is the E. coli
mismatch U:G DNA glycosylase. The crystals are
produced for x-ray crystallographic studies to
determine the structure of the protein-DNA
complex.
Published: –
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Welcome images – the photolibrary arm of the Welcome Trust has decided to make its image collection freely available to all under the Creative Commons image license.

High res images are available for download under either a free use for any purpose or  free use for non-commercial purposes only. You can read more about this on their website here: https://wellcomeimages.org/indexplus/page/News.html

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Client Story: Natural History Museum new book

Very pleased to have worked on the new book from the Natural History Museum titled “Unforgettable Behaviour

The book shows some of the most interesting animal behaviour from past “Wildlife Photographer of the Year” overall and category winners and adds descriptive text that adds context and depth to the story of each image.

Im a big fan of having a better understanding of the world and happy that this book is not just visually strong but also contains a depth of knowledge in the subject matter.

t was my job to translate the RGB images supplied from multiple sources into a cohesive and consistent set of CMYK separations that could be printed safe in the knowledge that shadow, midtone and highlight details are preserved and best represent the image on paper.

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Update: Preparing the workshop


Very much looking forward to presenting my half day Imaging Workflow Workshops at Chester Zoo in September this year. I’m going through material for the presentation and I’m determined to fill the session with as much information and insight as possible.

As well as my session there is a half day session each with Sue Flood (photography) and Cindy Miller Hopkins who will guide you well on metadata amongst other things. The final half day sees us all together to review and help answer any outstanding questions. It will be a very worthwhile 2 days, we will pour out our knowledge with no compromise or commercial break.

Lightroom is too slow? don’t get me wrong, I do love Lightroom, I use it to ingest shoots, search for images, manage collections, bulk print and make the occasional web gallery, it really excels in lots of important areas. Where it falls down on is speed for editing and retouching, I will be showing work arounds and methods for faster and more accurate workflow using Bridge and Photoshop but in the meantime, here is a message I posted for Adobe:

Adobe:

 Lightroom is getting a little long in the tooth, the mobile apps are a fun and sometimes a useful addition but we really need the main desktop program to be better.

Editing and retouching – even with pre built smart previews is achingly slow.

I have monitored processor, memory and disk usage during these tasks and found nothing on my fast i7 PC is stressed, the headroom in speed and bandwidth is simply unused – there must be something  fundamentally askew with the code to be causing this latency.

Please use a tiny fraction of your newly expanded profits to employ someone who can write tight and fast code to get the job done, it would be appreciated.

Many thanks

Stephen Johnson
Copyrightimage Ltd

Update: July 11th
Adobe have released a statement acknowledging problems and have promised a fix. Nice to see Adobe responding to its wider community, I hope a better product will be the result.

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WannaCry Ransomware

I don’t know of any clients still running Windows XP but there may be some who don’t automatically apply Windows updates when they become available.

If you employ IT support for your site then get in touch with your IT team and check that they have your system supported against wannacry.

If you do not have external IT support, manage things yourself and have not applied security patches recently then I suggest you reconsider and run automatic update and accept any new security patches, if you are not sure how you can learn how to do this here:

Windows 7 users:
http://www.wikihow.com/Run-Windows-Update-in-Windows-7

Windows 10 users:
http://www.thewindowsclub.com/windows-update-security-settings-windows-10

Mac users can take the opportunity to feel a little smug but do be aware that its unlikely that the NSA is just looking for Windows exploits, the next NSA leak may be a Mac vulnerability:
https://www.nsa.gov/news-features/news-stories/2015/discovering-solving-sharing-it-solutions.shtml

 

 

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Colour Management Overview

The purpose of Colour management is to ensure predictable colour across image capture, retouching and distribution (screen, print, repro etc).

Colour management is a process that depends on a series of individual steps being done correctly across all devices and processes. Colour management only works as it should when each of these steps are done correctly.

An important keystone to colour management is a good quality screen calibration device, buying one and using it correctly will be a good start on the road to learning colour management.

Colour management is not fixed to any one standard, for instance the common photography monitor target of 6500K will not show a good colour preview for repro as the whitepoint is incorrect for the yellowish/redish paper stock used, this needs a setting of nearer 5000K.

Understanding the subtlety of colour management is a journey.

All items on the colour management page here on Copyrightimage are part of the chain, room lighting, materials, software settings and devices all play their part…

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Clive Nichols Pettifers Masterclass 19th September 2017

pettifersTuesday 19th September 2017
Pettifers, Lower Wardington, Banbury
10am to 4pm

Clive is pleased to announce that he has secured two workshops at one of the country’s leading gardens, Pettifers, in the lovely Oxfordshire village of Wardington. Owned by renowned plants woman Gina Price, this idyllic English garden is crammed full of choice plants.

The day will begin with a talk on garden and flower photography by Clive. After a break for lunch with wine and refreshments, the day will continue with practical sessions in the garden. Clive is a very experienced teacher who will guide you through the techniques that have made him into one of the world’s leading flower and garden photographers. All levels of knowledge & experience are welcome.

Tickets cost £100 (non-refundable)
Maximum capacity 20 places

Click on the book now button below to book a place or places on the September Masterclass
(Don’t worry if don’t have a Paypal account you can select “Checkout as Guest” and pay by card)




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Client Advisory – Photoshop CC 2017 update

cs2017

Adobe have released the 2017 versions of Bridge and Photoshop. Looks to be a mixture of interface changes, performance enhancements and extended functionality.

Initial impressions are good and I will be giving it test drives over the next few days.

With important customer jobs in progress I have of course kept my current versions of Bridge and Photoshop installed so I can run both. This is also important as only some of my third party filters have been transferred across with the install.

If you would like to test the new version as well then consider doing the same and run the install so that it doesn’t write over your current setup, to do this click on Advanced Options in the update dialogue and untick Remove old Versions (Keep Import previous settings and preferences ticked)

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Copyrightimage helps out with Planet Earth II for the BBC

pe2Very much looking forward to seeing Planet Earth II with Sir David Attenborough starting next Sunday on BBC1 in the UK. The first episode is titled Islands.

My involvement in the project was to retouch and colour grade the stills and 4k+ video grabs for The Book that accompanies the series. Thanks goes to the Editor Kate Fox and the Project Editor Roz Kidman Cox for asking me to do the work.

Television shows images in RGB and has a high brightness and contrast range, paper in comparison has a very low colour and tone range that starts off with a creamy white for the highlights and then makes up the rest of the colour and tone by darkening the paper with Cyan, Magenta, Yellow and Black process inks.

The challenge is to retain all important highlight and shadow detail but keep a good dynamic contrast and colour in the mid tones and overall, this does mean quite an involved grading process using multiple layers and adjustments to get this right. (I discussed this split grading in my recent workshop).

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Client Story:MINT Images, Liesel Böckl

unnamed

Liesel has been working on a series of projects over the Summer in Japan and I was pleased to be asked to retouch from the raw files via her agency MINT Images. Each project is a sensitive and authentic visual short story of the workplaces she visited and together they tell a larger story of Kodawari. Liesels website is currently being redone but you can follow her projects here on facebook


cid:4AB1E50C-462C-4E80-A427-E2A001DACC3F
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Stills from Video, workshop summary notes

repro
Many thanks to those who attended my workshop this afternoon.


It was a bit of a whirlwind through the world of colour management and the process of grading images to sit well on the page or screen but I hope you found something of interest that you can incorporate into your workflow.

For your benefit (and those that could not make it) I have made some summary notes for you.

These don’t include the copyrighted material I was kindly allowed to use in the talk

Please feel free to get in touch if you have any queries or would like to work with me to improve your workflow or project.

You can download the notes here; http://www.copyrightimage.com/Stills_from_Video.pdf

 

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The Rosetta Stone of cross media: Video, Stills and repro sizes in megapixels

300dpi
Very much looking forward to my talk at Wildscreen tomorrow on the subject of making repro quality stills from video grabs: http://sched.co/8IY9

Im please to say that for one day only I have obtained special permission to show stills work from the recently announced BBC Planet Earth II book.

Im aware that my session may be oversubscribed (cue cut scene with me alone in the room), if this is the case then not to worry, I will be making some notes available after the session on this website for you to read. These will be a distillation of some aspects of the talk and wont include the retouching examples so please do come if you would like to learn more.

In the meantime here is a taster of one of the less visual parts: http://www.copyrightimage.com/ImagingRosettaStone.pdf

Stephen

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Client Story: Laura Barwick, BBC

cover-jpg-rendition-460-707Congratulations are in order for Laura Barwicks latest book  “Animal Babies” which accompanies the BBC wildlife production of the same name.

https://www.penguin.co.uk/authors/laura-barwick/1079267/

Laura is always a pleasure to deal with and I was pleased to help out here by making sure the Video Frame Grabs (34 out of the 120 images) looked as good as possible and integrated fully with the stills photography in the book

You can buy animal babies at all good book shops
Affiliate link:

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Wildscreen Workshop

logoI’m currently preparing some material for a short workshop at the Wildscreen Festival in Bristol on Friday next week.http://sched.co/8IY9

Roz Kidman Cox has kindly invited me to talk about the work I do to translate video grabs into something publishable and with the smoothest possible transition when placed on pages next to conventional photography.

If your planning to attend the workshop then please feel free to email me and let me know if you have anything you would like me to add, or just let me know who you are so I can best gauge what to fit in.

Many thanks

stephen@copyrightimage.co.uk
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Update

p1010109Apologies for the slow response times recently, with retouching deadlines and a slowing PC system I have had to run to walk fast.

Only myself to blame of course, I normally rebuild my PC every two years with the latest and greatest components, with the flattening out of PC development I have left it a little too long this time.

All being sorted now, I’m retouching on the old whilst building the new, a six core monster with large amounts of RAM and the latest high speed disk technologies to cope with the larger megapixel images from the latest cameras as well as being able to handle 4k video.

If your computer needs a refresh you may want to consider purchasing soon before the pound losess any more of its value….

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Photoshop CC 2015.5 update

qmNot too sure why Adobe didnt call the latest Photoshop “CC 2016.6” but I’m sure they know better.

Small incremental improvements though as its a full install update you will need to reinstall any plugins that you use.

If you do decide to install then click on the advanced install options and select to keep your previous version of Photoshop so you can go back to it easier if things go South.

The only really useful thing I have found so far is that there is that when selecting “quick mask” the layer dialogue changes to show the quick mask colour you have selected, this is a real improvement for me as its an emotional/visual clue as to if you are in quick mask mode or not and is much better than the previous light grey/slightly less light grey cue from earlier versions.

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